MEET THE ARTIST

SAILOR & IRMA

"In my workshop by the Atlantic Ocean, I research, I braid, I glue, I resin, I dye, I assemble, I cut, I shape [...]. I also have a zero-waste approach; I trap the plastic waste I collect on the beaches or workshop scraps in resin to make beads."

HÉLÈNE.

SAILOR & IRMA

JEWELRY DESIGNER, Les Sables-d'Olonne (85)

Hélène tells us how her fascination with her mother's jewelry box led her to create Sailor & Irma.

Tell us your story, how did your vocation come to you?

From my mother's jewelry box, a colorful treasure trove representing every style and era, from precious family heirlooms to costume jewelry, undoubtedly educated me in a way about different styles according to fashions and periods, and in a lack of prejudice towards costume jewelry, which my mother wore just as much as any other. For me, they held the same value, often sentimental. I was fascinated by this treasure trove, and since I was quite crafty, my mother often asked me to repair broken jewelry or create new pieces from spare parts. Much later, I felt the urge to create beautiful things to make life more beautiful, and one day I fell head over heels for a stall selling French-made scoubidou cords: their colors were vibrant in the sunlight! I looked for ways to use them and invented my own techniques. That's how it all began.

How would you describe your style, your artistic approach, in a few words?

My style is a mix of colors and poetry; I seek to create original jewelry that is unlike any other, which is not easy given the immense supply... I hope to succeed.
I love creating truly striking jewelry that enhances a woman's beauty and brightens her day. My work revolves around research into organic and geometric forms, and the contrast between natural and artificial materials like plastic.

What themes or subjects inspire you most in your work?

Art, nature and architecture. The sea is a source of inspiration that is very dear to me, its colours, the shapes of the shells, its brilliance.

How do you work?

In my workshop by the Atlantic Ocean, I research, braid, glue, resin, dye, assemble, cut, shape... It all depends on the project. I also have a zero-waste approach; I encase plastic waste I collect on the beaches or workshop scraps in resin to make beads.

Do you have a particular technique, a specific expertise? Without revealing all your secrets, have you developed your own methods and techniques?

Yes, for example I've been looking for ways to use scoubidou thread and dye it, or I'm looking for ways to imitate the shine of water in my resin beads.

I have also found a technical way for the shells I collect to be gilded with fine gold by my gilder; the gold-plated parts are therefore designed beforehand by me, resulting in interesting designs that highlight the polished shapes of the shells and give each piece of jewelry its truly unique character.

Tell us about your daily life, your constraints, your joys, your successes…

The best part is when a customer tries on the piece of jewelry and it takes on its full meaning and beauty, and she leaves happy. My greatest satisfaction: when my customers come back to see me wearing earrings from the latest collection.

SOME PIECES BY THE ARTIST

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